Various musical instruments – the yobel, the gong, the tam tam, bells – characterised the missionary mandate given to the participants at the General Conference 2025.
Within the context of the Eucharistic celebration, various musical instruments, typical of the traditions from which Mother Thouret’s daughters come, marked the call to ‘Remain dynamically faithful to the charism for a vision of the congregation in the newness of the Spirit.’
At the end of the Eucharistic celebration, the Superior General, Sister Maria Rosa, summoned the Provincial Superiors to the urn containing the holy remains of Mother Thouret to present each Province with the icon ‘written’ on the occasion of the bicentenary of the Founder’s birth into heaven.
